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two things I've read recently that have pissed me off
1.
helens78 sent me a bunch of knitting books that she was done with, some of which are pattern books and some of which are books about knitting. Mostly I have been flipping through pattern books and going "ooh" or "hmmm." And so I was flipping through one of the prose-and-patterns books called The Joy of Knitting and noticed this, partly because it's right at the beginning of a chapter:
And also as if anything should start with "From prehistoric times..." -- freshman who try that in the openings of their essays get cranky comments.
2. I only just now got N.K. Jemisin's Hundred Thousand Kingdoms -- I’m never really good at getting new-releases when they’re, you know, released. And so I was reading happily along, enjoying the worldbuilding, when all of a sudden:
And it’s not like that’s exactly new or unusual in fantasy -- fantasy novels often mark the villain as evil because zie’s kinky, or enjoys pain too much, or whatever. Perversity is evil, and evil is perverse. (I read more fantasy in high school, and at the time my friends and I used to refer to a whole genre of fantasy novels as "everyone wears leather, but the villain likes it.")
So it’s not that it’s uncommon. It’s just that I was unprepared for finding it here, in this highly-reviewed best-selling popular-in-fandom fantasy novel. Both because it’s fucking lazy broad-strokes villainy and because it’s that you-don’t-belong-here slap in the face.
Oh, and btw, The Hundred Thousand Kingdoms? If there isn’t a same-sex relationship in the novel other than the one that turns jealous and possessive and starts a war that kills billions? Yeah, I’m going to be pissed.
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- From prehistoric times, knitting, like most other fiber-related activities, has been women’s work. [...] [E]arly human societies could only afford to rely on women for those forms of labor which were compatible with childcare, since breastfeeding routinely continued until children were two to three years old. Women’s work was whatever could be performed without danger to small children, what could be interrupted and resumed easily and without damage. Thus spinning, weaving, knitting, sewing, and most other tasks connected with clothing were women’s work, as well as most aspects of food preparation -- but not, for instance, hunting, mining, or smithing.
And also as if anything should start with "From prehistoric times..." -- freshman who try that in the openings of their essays get cranky comments.
2. I only just now got N.K. Jemisin's Hundred Thousand Kingdoms -- I’m never really good at getting new-releases when they’re, you know, released. And so I was reading happily along, enjoying the worldbuilding, when all of a sudden:
- "Sky is both very large and very small, Lady Yeine. There are other fullbloods, yes, but most of them waste their hours indulging all sorts of whims." He kept his face neutral, and I remembered the silver chain and collar Scimina had put on Nahadoth. Her perversity did not surprise me, for I had heard rumors of far worse within Sky's walls.
And it’s not like that’s exactly new or unusual in fantasy -- fantasy novels often mark the villain as evil because zie’s kinky, or enjoys pain too much, or whatever. Perversity is evil, and evil is perverse. (I read more fantasy in high school, and at the time my friends and I used to refer to a whole genre of fantasy novels as "everyone wears leather, but the villain likes it.")
So it’s not that it’s uncommon. It’s just that I was unprepared for finding it here, in this highly-reviewed best-selling popular-in-fandom fantasy novel. Both because it’s fucking lazy broad-strokes villainy and because it’s that you-don’t-belong-here slap in the face.
Oh, and btw, The Hundred Thousand Kingdoms? If there isn’t a same-sex relationship in the novel other than the one that turns jealous and possessive and starts a war that kills billions? Yeah, I’m going to be pissed.
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Yeah, I. Too much this. >->
I was not nearly as thrilled by The Hundred Thousand Kingdoms as most of the people I know in fandom who've read it; for every thing it did that I really appreciated, there was something else that made me feel sort of "...seriously? you're just going to put that out there without interrogating it, huh?"
I keep starting to point out specific examples and then deleting them again, because I am not sure how strongly you feel about spoilers. But yes. I have thoughts on this topic!
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So far I feel basically the same way -- like, there's a lot that's good and that I really enjoy, but there are also several little moments that made me go "...?"
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I think that a big part of the problem for me was that I'd read a bunch of interviews that talked about it as innovative or unusual or whatever, so I kept waiting for the twist, or for the part of the plot where everything suddenly had to be interrogated. And then it never was, it was just like "yup, that's the way this world works."
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There were a few places where I felt like things really were cool and interesting -- like where she explores how really unlike mortal sex it is when you hook up with a being of divine power.
But I felt like there was also this gender stuff happening that annoyed me; sure, in Yeine's culture they've flipped the confining gender roles around and come up with a "reasonable" justification that follows different lines of reasoning than people use in our world. But that's really not new ground, you know? And it doesn't fix any problems, or create any more space for -- read, acknowledge the existence of -- anyone who doesn't fit the binary. And, you know, it would have been nice to see queer relationships that weren't either a footnote (warrior women apparently have bonds with each other?) or world-shattering. ...And you've already covered the issues with kink-as-shorthand-for-depraved-and-horrible pretty well.
...Apparently this is something I needed to rant about! I could probably go on. *cough*
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And yeah, the gender roles, for the gods especially. Yes, these god roles make sense, they're really archetypal and all, but also...they're really archetypal? Which is to say they're easy to buy because they're old as the damn hills. "Two brothers fight about a woman" is kind of not a new trope.
idk, I feel like I am not quite her audience. (Did you read "The Effluent Engine"? What did you think of that?)
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Also, lol "prehistoric times". The oldest piece of knitted fabric is ~2500 years old.
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*uses vest-related icon*
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oh my god they all need to shut the fuck UP. D: D: D:
*clings to you*
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i hate having to wade thru silly interpretations of gender appropriate ness in my knitting!
when i was coming up, cables were the only stitch that *was* manly - but only if you had a story about fucking crazy masculine fishermen getting washed overboard, in a plain off white sweater (ok, *maybe* grey, but only grudgingly)
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Otoh, that "everyone wears leather, but the villain likes it." descriptive makes my day completely. I'm adopting it. Thank you for sharing it with us. :)
I need an icon of rage.
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Except that I've walked around my local BDSM club naked many times and never once been touched by someone who didn't have my consent. I mean, sometimes it's implied consent based on our relationship, but it's never been someone who shouldn't be touching me. So it is possible to create a society in which a woman can walk around stark naked without fearing for her safety.
And yeah, my kinky friends always ask my pregnant friend before touching her belly.
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Yeah, ditto -- I hadn't read any detailed spoilers of Hundred Thousand Kingdoms, so I just had what I got through fandom osmosis. And as it turns out the villains are so lazily written so far, like, when you add that they are a family of pedophiles on top of the kink and one of them is a woman who is power hungry and blahblahblah.
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<3
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And yeah, nothing like having your sexuality used as code for "evil" to fuck with your head. I mean, I have enough of a non-con kink to enjoy scenes where the villain kidnaps the heroine, but in real life I like my SM to be consensual. And you know, you can use non-consensual kink as a code for evil: this person takes what they want, regardless of how it affects other people. But consensual sex or power games? Not evil, just hot.
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I'm also, though, kind of sick of non-con kink as a code for evil, too, because it's so lazy and there's so much of it.
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And oh, man, that is horribly disappointing about N.K. Jemisin's book. :( I really, really, really hate it when fantasy novels (or anything, really), does the whole "perversity is evil, and evil is perverse" thing. :(
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People tell me all the time--because apparently being a young woman knitting in public is almost as big an invitation for strangers to talk at you and touch you or your stuff without permission as travelling with an animal or a small child or being pregnant--that they wish they could knit. Sometimes, if I like them or if I'm feeling polite, I will ask why they can't, though quite often I won't have to (they'll tell me). Very rarely my interlocutor will have an actual good reason (pain or limited mobility in hands, for example); more often it's a poor excuse like "I don't know how" or "my grandmother tried to teach me a hundred times but I never practised." I feel no sympathy when I hear this, just boredom and irritation. One "reason" that I don't hear often but that makes me sad and angry when I do is, "I'm a dude." That's bloody absurd. Neither gender nor sex should have any bearing on a person's ability to knit. "Historical" arguments like the one in that book are ridiculous in so many ways. First, while people may have been knitting for longer than we can prove (taphonomic factors; absence of evidence is not evidence of absence), we cannot extrapolate from contemporary biases in the gendered division of labour (or leisure) to presume who was doing the crafting. As other commenters have pointed out, this varies significantly across cultural contexts. And then, even among contemporary craft culture, we have this bizarre hypocrisy where there are plenty of men employed as knitwear designers or in publishing knitting magazines and proportionally fewer (but still a respectable number of) consumer-practitioners, but the overwhelming bulk of the commercial and "peer-to-peer" media I see is not only addressed to "teh ladeez" but assumes that these ladeez will be knitting for menz and babbies and small furry animals and quaintly decorated homes while the little bit of knitting that men are believed to do is supposed to be for themselves (or very occasionally for their pets, homes, or beloved inanimate objects). How often have I seen the suggestion, "here is a sweater for you ladeez to knit for Your Man?" and how NEVER have I seen this balanced by "here is a sweater for you anybodies to knit for a woman you like"? Even worse, the insistence by so many professional and hobbyist designers that every pattern must have a gender--I mean yeah, particular bodies feel comfortable in and are flattered by different things and gender is only a tiny part of that anyway--but FFS, socks! Toques! Scarves and mittens and electronic gadget cozies! And that "men's" patterns are the specifically marked ones in Ravelry searches while "women's" patterns are the assumed default . . . I suppose in some ways that's a refreshing change of pace, and it makes some sense as a search filter given the number of patterns in the database, but it still annoys me every time I see it.
As for whether the (false) proposition that knitting is, always has been or should be "women's work" is feminist . . . I can agree that reclaiming activities which tend to get ignored or looked down on for being feminine is still valuable and necessary (and that doesn't have to simplify to blunt essentialism). But feminism can't end there! I would have less objection to the quote above, though I'd still roll my eyes over "from prehistoric times" and frown at the conviction of the language and the vagueness with regard to time and place, if the book had then gone on to interrogate the suggestion that, whether or not the hypothesis that the origins of knitting were somehow linked to gender via childcare practices holds any water, knitting should continue to be thought of as "women's work" . . . but I'm guessing from your annoyance that it doesn't. Then again, that's the feminism I'm growing up in now; I don't know how old the author is, but she may be holding on to a more limited understanding of the concept? I think I'm still failing at articulation, here.
This comment is too long and I haven't read the novel, so all I have to say about that part is: UGH. That is obnoxious and tiresome and hurtful and it really is lazy writing.
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